IGNOU PGDT MTT 33 SOLVED ASSIGNMENT HINDI
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MTT 33: स्क्रिप्ट लेखन, रूपांतरण एवं दृश्य श्रव्य-माध्यम
| Title Name | IGNOU PGDT MTT 33 SOLVED ASSIGNMENT HINDI |
|---|---|
| Type | Soft Copy (E-Assignment) .pdf |
| University | IGNOU |
| Degree | PG DIPLOMA PROGRAMMES |
| Course Code | PGDT |
| Course Name | Post Graduate Diploma in Translation |
| Subject Code | MTT 33 |
| Subject Name | स्क्रिप्ट लेखन, रूपांतरण एवं दृश्य श्रव्य-माध्यम |
| Year | 2025 |
| Session | - |
| Language | English Medium |
| Assignment Code | MTT 33/Assignment-1/2025 |
| Product Description | Assignment of PGDT (Post Graduate Diploma in Translation) 2025. Latest MTT 33 2026 Solved Assignment Solutions |
| Last Date of IGNOU Assignment Submission | Last Date of Submission of IGNOU BEGC-131 (BAG) 2025-26 Assignment is for January 2026 Session: 30th September, 2026 (for December 2025 Term End Exam). Semester Wise January 2025 Session: 30th March, 2026 (for June 2026 Term End Exam). July 2025 Session: 30th September, 2025 (for December 2025 Term End Exam). |
| Format | Ready-to-Print PDF (.soft copy) |
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MTT 33 2025 - Hindi
एम.टी.टी.-033 : स्क्रिप्ट, रूपांतरण एवं दृश्य-श्रव्य माध्यम
अध्यापक जाँच सत्रीय कार्य
(टी.एम.ए.)
कार्यक्रम कोड: पी.जी.सी.ए.आर.
पाठ्यक्रम कोड: एम.टी.टी.-033
सत्रीय कार्य कोड: ए.एस.एस.टी./टी.एम.ए./2025
अंक : 100
नोट: प्रश्न संख्या 1 से 8 का उत्तर लगभग 500 शब्दों में दीजिए। सभी प्रश्नों के अंक समान हैं। प्रश्न संख्या 9 में दिए गए अंश के आधार पर स्किप्ट लेखन कीजिए।
1. स्क्रिप्ट लेखन की संकल्पना एवं स्वरूप का वर्णन कीजिए।
2. ड्रामा स्क्रिप्ट लेखन की प्रक्रिया पर प्रकाश डालिए।
3. दृश्य-श्रव्य माध्यमों में रूपांतरण की प्रक्रिया की चर्चा कीजिए।
4. विविध क्षेत्रों में स्क्रिप्ट लेखन की आवश्यकता की विवेचना कीजिए।
5. 'डिजिटल माध्यमों के लिए रूपांतरण पर लेख लिखिए।
6. 'सिनेमा के लिए रूपांतरण' की आवश्यकता और महत्व पर प्रकाश डालिए।
7. रेडियो रूपांतरण की चुनौतियों की विवेचना कीजिए।
8. टेलीविजन के लिए धारावाहिक रूपांतरण की आवश्यकता की चर्चा कीजिए।
9. प्रस्तुत पाठ्यक्रम में आपने स्क्रिप्ट लेखन के विषय में विस्तार से अध्ययन किया है। नीचे एक कहानी का अंश दिया जा रहा है। प्रस्तुत अंश पर हिंदी में सिनेमा रंगमंच के लिए स्क्रिप्ट तैयार कीजिए।
Through the long, lonely years of my childhood, when my father’s palace seemed to tighten its grip around me until I couldn’t breathe, I would go to my nurse and ask for a story, And though she knew many wondrous and edifying tales, the one I made her tell me over and over was the story of my birth. I think I liked it so much because it made me feel special, and in those days there was little else in my life that did. Perhaps Dhai Ma realized this. Perhaps that was why she agreed to my demands even though we both knew I should be using my time more gainfully, in ways more befitting the daughter of King Drupad, ruler of Panchaal, one of the richest kingdoms in the continent of Bharat.
The story inspired me to make up fancy names for myself: Off-spring of Vengeance, or the Unexpected One. But Dhai Ma puffed out her cheeks at my tendency to drama, calling me the Girl Who Wasn’t Invited. Who knows, perhaps she was more accurate than I.
This winter afternoon, sitting cross-legged in the meager sunlight that managed to find its way through my slit of a window, she said, “When your brother stepped out of the sacrificial fire onto the cold stone slabs of the palace hall, all the assemble cried out in amazement.
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